The basics Of Natural Healthcare | Acupuncture Online School

Oriental Medicine has been employed in eastern countries like China, Korea, Okazaki, japan, Vietnam, Tibet and India for upwards of 2000 years. In recent years, Oriental medicine has gained prognosis in western society. China medicine combines natural, And traditional health care systems including acupuncture, Herbal healing system, And oriental bodywork or massage to begin treating patients. One of the most fundamental lessons that students learn at Oriental Medicine School is that every treatment solution is based on the specific diagnosis that is arrived at according to that patient?s own body patterns. This ancient medicine system is based on the Chinese concept that energy flows in a balanced manner through your body. Any dysfunction in the patient?s energy flow causes an ailment or disease. One of the major reasons for the ever increasing popularity of this oldest form of healthcare system is its lack of side effects. Progressively more people have recently become aware of the benefits of using holistic health care methodologies. Because of, The scope and demand for professionals in this field has grown very much. Reputable and accredited oriental medicine schools provide proper training and degrees that lead to national qualification and successful careers. This training allows students to better understand the values and beliefs of this medicinal practice while also teaching them how to develop their restorative skills. A reputable and accredited oriental medicine school educates students about the process of human body, Mind and character, And also assists them gain an in-Depth understanding of the ancient medicinal practices and traditions. Students find our about the use of various healing therapies as well as the history of their conceptualization and development. What is more, They receive a deeper insight into the healing powers of various elements of nature because overwhelming resources of plants and minerals. Oriental Medicine Schools also teach individuals how to live a balanced life not only by retaining the conditioning of the physical body, But renovation is completed an equally healthy mind and spirit. This helps provide total freedom from stress and pain and also enables people to exist in complete harmony with nature. New York College of Health Professions is renowned for providing world class accredited holistic health and fitness degree programs in Tri-Maintain area.

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Pinterest raises $100 million in funding

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US veterans to return war medals in protest

Narayan Mahon for msnbc.com

Iraq War veteran Steven Acheson at his home in Platteville, Wis., on May 14, 2012.

By Miranda Leitsinger, msnbc.com

Iraq war veteran Steven Acheson will engage in the rarest of protests this weekend: He will hand back his military service medals at the NATO summit in Chicago, an?act one veteran calls "disgraceful."

Acheson, who served for five years in the Army, including more than a year in Iraq that he says?left him with PTSD and nightmares, is taking this step to protest the "war on terror"?and the force leading it, NATO. He will be joined by a few dozen veterans from the Iraq and Afghanistan wars who are concerned about the wars' fallout on veterans and civilians alike.

?I feel like this is a really good way for me to kind of, not clear my conscience, but just make a step in the direction of healing and kind of reconciling with the Afghan people and the Iraq people,? said Acheson, a 27-year-old college student from Wisconsin and a member of Iraq Veterans Against the War, which includes soldiers who served in any of the post- 9/11 conflict zones. ?? and let them know that we?re standing by their side and we?re not standing with NATO anymore. We don?t agree with the policies that are driving these wars.?

Acheson and 30-50 fellow 9/11-era veterans will carry their medals as they lead an anti-war march this Sunday through Chicago?s downtown area to the convention center where NATO is holding its summit. President Obama and other world leaders are scheduled to be among the summit attendees, and the city of Chicago is bracing for major protests.

Organizers are hoping the rally, which caps a week-long series of anti-NATO actions, will draw thousands. The Iraq and Afghanistan veterans will be flanked by Vietnam veterans and will hold a reconciliation ceremony with Afghans for Peace.

They intend to carry an American flag that they will lower and replace with a white one as they approach the summit venue. They are planning to pin their medals to the American flag, which they?d like to present to NATO officials. If they?re unable to do so, they may construct an ad hoc memorial or toss the medals toward the convention center -- like some 900 Vietnam veterans did in 1971 on Capitol Hill in an anti-war protest dubbed ?Operation Dewey Canyon III.?

Barry Romo was West Coast coordinator for the Vietnam Veterans Against the War during the 1971 week-long demonstration.

?Wives left husbands; parents said ? those medals were something you should be giving the grandkids. But I mean, the level of death was just really too much for us to deal with at that time and we said, you know, if there?s a question of medals versus lives then there was no question,? he said.

Returning the medals ? even those that are given just for showing up to the theater of conflict, as are some of the ones the veterans plan to return ? is not without controversy.

?They?re as much of a disgrace as the veterans back in the Vietnam days that did the same thing,? said retired Army 1st Sgt. Troy Steward, of New York, who served 22 years and is now a military blogger. ?If these veterans aren?t proud of the service that they did ? then they should never have accepted them (medals) in the first place.?

Steward, 43, who served in Afghanistan, said the action was ?disgraceful and disrespectful? to others who had served. While the veterans were welcome to express their opinions, he said, there were a lot of ?better ways to do it than essentially shaming your military service and your brethren.?

Acheson will return his ?Global War on Terrorism Service Medal? and the ?Iraq Campaign Medal?; he is keeping others he received.

Aaron Hughes, a 30-year-old organizer for IVAW who served six years in the Army, including 15 months in Iraq and Kuwait, also will return two medals.

In the process of searching for a way to heal ?we came to these symbols of the occupations, which are these medals that we carry around and we still have,? Hughes said. ?They?re these ? reminders of what we?ve done, that it?s time to let go of.?

?I think it?s something that many of us are conflicted about, but we also feel like this is the right action to take,? he noted, adding that there was a lot of consensus on the returning of the medals. ?It is a sacrifice, but it?s one that we feel is worth it.?

But some?cautioned the veterans to think carefully before handing over the medals.

?They become almost like family heirlooms in some ways,? said Adrian Lewis, a professor specializing in 20th century warfare at the University of Kansas in Lawrence. ?It's not the norm to give them back. Most folks are proud of them. They feel like they earned them and they?re indications that they served their country.?

?They may regret it at some point ... and their family may ultimately regret it, too,? he added.

Unlike the Vietnam War, Americans today don?t have the same outrage over the current conflicts, Lewis said.

?Most Americans are not paying attention to the war ... they have no stake in it, no commitment to it,? he added, noting that he therefore didn?t expect the veterans? medal protest to ?be a big deal. It's not a game-changer.?

It?s not clear how many other veterans have taken similar action. The Department of Defense, the Air Force and Army said they did not keep records on how many medals have been given back.

"We're very proud of the service rendered by our soldiers and veterans, and they are free to do with their awards and decorations as they please," George Wright, an Army spokesman at the Pentagon, said in an e-mail.

Acheson said the veterans don?t have high expectations for how NATO officials will receive their protest. He also noted that he was keeping some of his medals because he was proud of his service, even though he was upset that he ended up fighting in a country that had nothing to do with 9/11.

?I?m tired of seeing ? fellow vets being redeployed with traumatic brain injuries and post-traumatic stress disorder, and I?m tired of seeing soldiers being deployed in general to an illegal war,? he said. ?I just feel like we?ve spent enough money and enough lives over there ? it?s time to come home.?

Do you think returning war medals in protest is 'disrespectful' of other veterans?

More content from msnbc.com and NBC News:

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Dorie Greenspan's Olive Oil Ice Cream

Every two months I host a cookbook club meeting. A cookbook is chosen (usually at the prior meeting) and friends and family all choose a dish to make from it. Then we all get together to talk about the dish we chose, eat the hell out of all the food, and drink an ungodly amount of beer. While flipping through our next cookbook,?Dorie Greenspan?s Around My French Table, trying to pick my dish from the hundreds of incredible recipes, this recipe for olive oil ice cream caught my eye. A basic custard base, but some of the heavy cream is swapped out for olive oil. One of Dorie?s suggestions is topping it off with a drizzle of olive oil and a sprinkle of Maldon salt flakes. The end result is a sweet and incredibly nuanced ice cream. My five year-old son declared it the best ice cream yet (he has rich five year-old tastes).

From Dorie Greenspan?s Around My French Table

Note: This ice cream is only as good as the olive oil you use. Dorie specifies a fruity oil, with no peppery finish. Based on reviews from America?s Test Kitchen, this would be a great choice. I had Columela, a floral, fruity oil with a definite peppery kick at the end, so I cut it with a couple of tablespoons of the bland, one-note extra-virigin olive oil I buy by the gallon for cooking. It worked perfectly, keeping the fruity notes and taming the peppery bite.

Ingredients

  • 2 cups whole milk
  • 1 cup heavy cream
  • 5? large egg yolks
  • 1/2 cup sugar
  • pinch of salt
  • 1/2 cup fruity extra-virgin olive oil
  • 2 teaspoons pure vanilla extract

Method

  1. Set up an ice-bath: Fill a large bowl 1/4 of the way up with ice water. Place a medium-sized bowl over the ice water. Place a mesh strainer on top.
  2. In a medium saucepan, dissolve the sugar and salt in the milk and cream over medium heat. Slowly drizzle the warmed mixture into the egg yolks, whisking without stopping, until smooth. Return to the saucepan and cook over medium heat, stirring and scraping the bottom and sides of the pan constantly, until the custard thickens and coats the back of a spoon.
  3. Pour the custard through the strainer, discarding the solids left behind. Add the olive oil, and whisk well for 2 minutes, until it is well blended. Cover the mixture and refrigerate 2 hours or overnight. Churn according to your ice cream maker?s instructions. Store in a shallow container, covered with plastic wrap and and air-tight lid. Keeps up to 2 months frozen.

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Computers & Internet: Tips on How to Start Business Online Today

The growing importance of the Internet has led to the online entrepreneur. With the purchase and sale as early as possible through the World Wide Web, it seems plausible to start an online business. But with so many websites that make trade and commerce, as you can really start, compete, and hopefully, make money? Build your online business is a very complex process, but with the following tips on how to start online business today, you can probably get a good start right off the bat.

The name should be fine. Most products and services to enjoy successful runs huge in terms of sales primarily because of the name brand. It 's important to remember that the name represents what we offer to customers. Therefore, it is of great importance that you conjure up a name that is easy to pronounce and remember, as well as in relation to the type of goods or services they advertise.

Know the Internet. If you are creating an internet business, it's just that you know how to navigate the web. If you do not know what to "tweet" means that when your children talk about it, then it might be better that you get some courses and learn more about the Internet. It might seem easy to navigate and browse as you look at business opportunities online. But if you run a business, you need to know more about opening a browser and scouring the web for anything you are looking for.

Get your hands on your web site. You need to be involved with the design and feel of your site starting online business. The site will represent your business and, therefore, you should feel this way. Make sure it is user-friendly and very easy to navigate.

Study the market and competition. Even with a website design great, if you do not know how the market and that competition is, then it is useless to start your own business online. Have a good understanding of how the market works and what the competition is to give you great insight on how to map your moves, even if you are just starting out.

Prepare photos and video for advertising and marketing. Obtain and advertising agency to help you enhance your image online is very expensive. But you can prepare video and photos on your business and loading them into social networking sites like Facebook and content sites like YouTube once you launch your business online.

Make sure you know from Federal and other legal requirements from online business. It 's better that you comply with policies involving in putting a business online. While the activities of logging regulations can vary from state to state, operating a business online that is legitimate will have positive effects on consumers in particular. It shows that the company is duly registered and recognized and, therefore, feel protected by law should have any problems getting up.

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Poster Design in Poland | 1890 ? 1970 - Graphic Design & Art ...

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Before the era of globalized entertainment made movie posters look the same in every country, Polish artists were creating their own versions for the internal market. What resulted was a whole school of artists trained in the art of the poster. This article presents a short historical look at how this movement was born and how it developed, form its art-related beginnings at the end of the 19th Century to the golden era of the film posters throughout the 20th Century.

The Beginnings

The first Polish posters appeared in the 1890?s at the hand of outstanding painters like Jozef Mehoffer, Stanislaw Wyspianski, Karol Frycz, Kazimierz Sichulski and Wojciech Weiss. Influenced by the Jugendstil and the Secessionist movements, understandably they painted posters that were art-related, announcing exhibitions, theater and ballet performances. Their work was vastly popular, which led to the first International Exposition of the Poster being held in Krakow in 1898.

Jugendstil, Secession, Japanism and modernist styles like Cubism were mixed with traditional elements of symbolism and national folklore. What set the Polish posters apart from their European counterparts was the emphasis placed on the highly artistic quality of the project, an attitude that will continue to characterize the Polish poster throughout the 20th century.

Jozef Mehoffer ? Furniture Lottery for Matejko?s House (1899)

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Edward Trojanowski ? Print Exhibition (1904)

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Jozef Czajkowski ? 1st Exhibition of the Polish Company of Applied Art (1902)

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Karol Frycz ? Rolling papers advertisement (1908)

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Wojciech Jastrzebowski ? Swoszowice Health resort near Krakow (1907). A fine example of Japanism.

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Jozef Mehoffer ? Contemporary Art Exhibition (1910)

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Kazimierz Sichulski ? Contemporary Polish Exhibition of Architecture, Sculpture and Painting (1910)

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Jan Bulas ? Symphonic Concert (1910). A poster inspired by Expressionism.

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Henryk Kunzek ? Forward (1910)

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Jozef Czajkowski ? Interior architecture exhibition (1912)

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Jan Rembowski ? First Spring Salon (1914)

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Jan Wdowiszewski from 1891 to 1904 was the director of the Technical Industrial Museum in Krakow. He was the organizer of the International Poster Exhibition in 1898, for which he wrote two essays, the first of their kind, entirely devoted to the art of the poster. He immediately recognized the power of the poster to act like a mirror for society?s physical and mental way of life. This was especially true of the exhibition posters, which promptly reflected every trend and influence coming from the West. The strong drive to promote the national style, as a means to a true political independence, was also faithfully recorded in the street art.

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Stefan Norblin and the Touristic Poster

The period between the two World Wars sees Poland finally reappearing on the maps. The twenty years of independence are marked by a stunning growth in all industries. Tourism, especially, is at its height. Stefan Norblin is appointed to create a series of posters with the intent of promoting Poland as a tourist resort.

First and foremost a painter rooted in the school of realistic representation, Norblin approaches the poster the way he approaches the canvas. He makes use of obvious imagery to secure immediate reading from the viewer. Although characterized by recognizable forms and silhouettes, his works remain stunning for the stark choice of ?neon? colors. They are not of an Expressionist nature but they create an irreal atmosphere around familiar objects. This and the minimalist style confer his posters a timeless quality.

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Sale for the poor (1916)

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Polska (Poland), 1925

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Gdynia, 1925

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Lwow (Lviv), 1928

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Wilno (Vilnius), 1928

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Poland ? Divine Service at Lowicz (1925)

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?Peasants!!! Support the national contemporary exhibition!!!? (1929)

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Tadeusz Gronowski: Father of the Polish Poster

A gifted student, Gronowski was the first to specialize in poster art. Influenced by European art movements (he was well connected in Paris in the Twenties) he singlehandedly created the art of the Polish poster. Catering to the new necessities with which graphic art was confronted, advertising, he took advantage of the full spectrum of techniques available to the artist at the time to create the most striking advertisements of the period. His work shows a transition to the newest tool, the airbrush, resulting in softer lines and backgrounds. His advertising posters remain a milestone in the development of what came to be known as the School of the Polish poster.

In contrast to Stefan Norblin, Gronowski, himself an accomplished painter, approaches the poster as a medium unto itself. Instead of merely adapting his painterly style to the poster format, he sees in it the opportunity to create something new, indeed a new form of artistic expression. He is one of the first artists to consciously integrate the typography with the illustration and instead of choosing the obvious he offers the viewer a different look into the subject, often displaying a penchant for the light and the humorous which endeared him to the viewers.

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Artistic Lithography (1920)

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Tire (1923)

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Tire (1923)

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S.A. Staporkow (1924). The radiator as architecture on a modern industrial background.

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Ceres Lard ?To die for?? (1926)

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Gronowski founded his own studio in Warsaw and aptly named it Plakat, i.e. Poster.

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The next poster is particularly important in Gronowski?s production. An advertisement for a washing product named Radion, its slogan reads ?It washes by itself.? The artwork is minimalistic and to the point: a black cat enters a bucket full of Radion and jumps out all white. A clear message amplified by the stark chromatic contrast and the essential lines.

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Radion ?It washes by itself? (1926)

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The next pieces exemplify the evolution towards integrated designs. The typography is part of the composition.

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Literary News (1925)

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Oaza Restaurant Dancing (1926)

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KAGR ? Circle of Advertising Graphic Artists (1936)

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1st Polish Peace Congress (1950)

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1st Polish Peace Congress (1950)

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The Warsaw Architects

Gronowski?s work was continued into the Thirties by a group of architects educated in Warsaw under professors Zygmunt Kaminski and Edmund Bartlomiejczyk. At the University they learned to master the techniques of applied graphics. Architecture was seen as the Gesamtkunstwerk, the total artwork, the summation of all arts applied to a specific, practical function. Their hands-on approach lent itself beautifully in their transition from architects to graphic artists.

Responsible for this transition were economic reasons but also the will to work for contemporary society, which poster art was capable of immortalizing faithfully. Incidentally, these are the same reasons that today drive budding architects to graphic design: creating applied art with fast job turnarounds and satisfying economic turnover.

These architects turned graphic artists took Tadeusz Gronowski?s approach forward, combining it with a sense of composition and proportion naturally derived from their architectural background. Not only did they incorporate three-dimensionality in their works, they also adapted their style to the subject of the given poster, for example using a precise linework for posters depicting mechnical parts, humorous figures for posters depicting ballets and festive occasions and striking, dynamic compositions to illustrate sports events. Their work marks the transition of the Polish poster from narrative medium of the 19th century to modern advertising device of the 20th century.

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Jan Mucharski ? Dorm Week (1927)

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Jerzy Hryniewiecki, Andrzej Stypinski ? Eastern Trade Fair (1930)

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Maciej Hibner, 1962 ? ?Pickpocket?, France 1959. Directed by Robert Bresson.

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Maciej Nowicki, Stanislawa Sandecka ? 2nd Meeting of Polish Youth from Abroad (1935)

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Stefan Osiecki ? The Lopek Dancing(1935)

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The Propaganda Posters

After World War II Poland found itself under Communist rule. The new government needed to spread the new aesthetics and make the new institutions acceptable to the public. With that goal in mind the Propaganda Poster Studio was established in the city of Lublin.

Wlodzimerz Zakrzewski was a talented landscape painter and active member of the Communist Party who had studied painting in Moscow in 1940 and had designed posters for the Soviet Propaganda. He was therefore the perfect candidate to run the Studio. The military introduced patterns of representation borrowed from the Soviet poster tradition, propaganda graphics connected with the TASS, the Telegraphic Agency of the Soviet Union. Zakrzewski was given a list of catchphrases assigned to the propaganda. His task was to devise graphical rules to create a working method for propaganda posters.

Zakrzewski aimed to introduce a new visual language by basing his colorful images on verified patterns borrowed from the stylizations learned in Russia. He also acted as mentor to a number of what were, in fact, unprofessional poster artists. This experience marks the first time poster art was institutionalized in Poland, giving birth to the proper phenomenon that followed, the ?Polish Poster School.?

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Wlodzimierz Zakrzewski ? ?Where Hitler sets foot the earth dies?? (1945)

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Wlodzimierz Zakrzewski ? The giant and the disgusting reactionary dwarf (1946)

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Wlodzimierz Zakrzewski ? Party (1955)

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The 50?s and the 60?s: The Golden Age

The Fifties and the early Sixties mark the Golden Age of the Polish poster. Like everything else, the film industry was controlled by the state. There were two main institutions responsible for commissioning poster designs: Film Polski (Polish Film) and Centrala Wynajmu Filmow ? CWF (Movie Rentals Central). They commissioned not graphic designers but artists and as such each one of them brought an individual voice to the designs.

The School of the Polish Poster is therefore not unified but rather diverse in terms of style. It wasn?t until the Mid-Fifities, though, that the school flourished. The fierce Stalinist rule had been lifted, once again leaving room for artistic expression. The classic works were created in the next ten years.

The Polish film poster is artist-driven, not studio-driven. It is more akin to fine art than commercial art. It is painterly rather than graphic. What sets the Polish poster apart from what we?re used to see in the West is a general disregard for the demands of the big studios. The artists requested and received complete artistic freedom and created powerful imagery inspired by the movies without actually showing them: no star headshots, no movie stills, no necessary direct connection to the title.

They are in this regard similar to the work of Saul Bass, a rare example of a Hollywood artist who enjoyed total freedom from the studios. Next to a typical Hollywood film poster with the giant headshots of the latest movie star and the title set in, you guessed it, Trajan Pro, the Polish film poster still looks fresh and inspiring today.

See below some of the many classic works created by the likes of Wiktor Gorka, Eryk Lipinski, Marek Mosinski, Jan Lenica, Jerzy Flisak and others.

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Witkor Gorka

1966 ? ?Kaidan?, Japan 1964. Directed by Masaki Kobayashi.

1967 ? ?Cat Ballou?, US 1965. Directed by Elliot Silverstein.

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1968 ? ?The Professionals?, US 1966. Directed by Richard Brooks.

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1969 ? ?Deadlier Than the Male?, UK 1966. Directed by Ralph Thomas.

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Jerzy Flisak

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1958 ? ?Three Men in the Snow?, Austria 1955. Directed by Kurt Hoffmann.

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1959 ? ?Rancho Texas?, Poland 1959. Directed by Wadim Berestowski. The first Polish western!

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1959 ? ?Roman Holiday?, US 1953. Directed by William Wyler.

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1962 ? ?The Hitman?, Italy 1960. Directed by Damiano Damiani.

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1965 ? ?Mr Hobbs Takes a Vacation?, US 1962. Directed by Henry Koster.

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1967 ? ?Zwariowana Noc?, Poland 1967. Directed by Zbigniew Kuzminski.

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1968 ? ?The Firemen?s Ball?, Czechoslovakia 1967. Directed by Milos Forman.

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Jan Lenica

1957 ? ?Kanal?, Poland 1956. Directed by Andrzej Wajda.

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1957 ? ?Il Bidone?, Italy 1955. Directed by Federico Fellini.

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1958 ? ?The Deadly Invention?, Czechoslovakia 1958. Directed by Karel Zeman.

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1962 ? ?Knife in the Water?, Poland. Directed by Roman Polanski.

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1962 ? ?L?Avventura?, Italy ? France 1960. Directed by Michelangelo Antonioni.

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1965 ? ?The Visit?, Germany 1964. Directed by Bernhard Wicki.

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Eryk Lipinski

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1948 ? ?Uliczna Graniczna?, Poland. Directed by Aleksander Ford.

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1955 ? ?One Sunday Morning?, Poland 1953. Directed by Andrzej Munk.

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1958 ? ?Le Notti di Cabiria?, Italy 1957. Directed by Federico Fellini.

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1961 ? ?Me and the Colonel?, US 1958. Directed by Peter Glenville.

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1966 ? ?Le Soldatesse?, Italy/Yugoslavia/West Germany 1965. Directed by Valerio Zurlini.

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Marek Mosinski

1968 ? ?Les Tontons flingueurs?, France 1963. Directed by Georges Lautner.

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1968 ? ?King Kong Escapes?, Japan 1967. Directed by Inoshiro Honda.

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1972 ? ?Infanzia, vocazione e primo esperienze di Giacomo Casanova, veneziano?, Italy 1969. Directed by Luigi Comencini

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Other artists

Hubert Hilscher, 1957 ? ?The Man with the Golden Key?, France 1956. Directed by Leo Joannon.

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Leszek Holdanowicz, 1966 ? ?Bariera?, Poland. Directed by Jerzy Skolimowski.

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Waldemar Swierzy, 1957 ? ?Sunset Boulevard?, US 1950. Directed by Billy Wilder.

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Wojciech Wenzel, 1959 ? ?Shane?, US 1953. Directed by George Stevens.

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Maciej Hibner, 1962 ? ?Pickpocket?, France 1959. Directed by Robert Bresson.

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Maciej Hibner, 1963 ? ?Two Way Stretch?, US 1960. Directed by Robert Day.

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Bronislaw Zelek, 1965 ? ?The Birds?, US 1963. Directed by Alfred Hitchcock.

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Franciszek Starowieyski, 1967 ? ?A Woman Is a Woman?, France 1961. Directed by Jean-Luc Godard.

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Bohdan Butenko, 1968 ? ?One Million Years B.C.?, UK 1966. Directed by Don Chaffey.

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The 70?s and the 80?s: Decadence and Death

The School had its peak in the Mid-Sixties and during the following decade declined, much like art and advertising in the rest of the world. A few examples of posters from the Seventies follow.

Witkor Gorka

1973 ? ?2001 A Space Odyssey?, US 1968. Directed by Stanley Kubrick.

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1973 ? ?Cabaret?, US 1972. Directed by Bob Fosse.

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1976 ? ?We Were So in Love?, Italy 1974. Directed by Ettore Scola.

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1977 ? ?Marathon Man?, US 1976. Directed by John Schlesinger.

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Jerzy Flisak

1971 ? ?Playtime?, France 1967. Directed by Jacques Tati.

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1972 ? ?Sacco e Vanzetti?, Italy 1971. Directed by Giuliano Montaldo.

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1973 ? ?El Dorado?, US 1967. Directed by Howard Hawks.

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1973 ? ?Morgiana?, Czechoslovakia 1972. Directed by Juraj Herz.

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1978 ? ?Brutti, sporchi e cattivi?, Italy 1976. Directed by Ettore Scola.

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Eryk Lipinski

1970 ? ?Nie ma powrotu Johnny?, North Vietnam-Poland. Directed by Kaveh Pur Rahnama.

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1970 ? ?Az Ido Ablakai?, Hungary 1969. Directed by Tamas Fejer.

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1975 ? ?The Day of the Jackal?, UK 1973. Directed by Fred Zinnemann.

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The Eighties were marked by society?s strong opposition to the increasingly oppressive Communist rule, exemplified by the Solidarnosc movement. Poster art quietly dwindled through the decade. After 1989, when film distribution was privatized, it died.

Nowadays alternative film posters are created by numerous artists as exercise and showcase of their abilities. Such posters are typically printed in small runs and viewed and sold exclusively in art galleries.

The article was re-posted from Smashing Magazine. View the link to read more about.

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Clive Cussler, Judy Blume, Joan Didion Speak to Benefit Mark Twain

Cussler at the Museum June 14; Blume at UHart June 21; Didion at Hartford Stage June 28

Three famed American writers -- the top-notch adventure writer Clive Cussler; the beloved chronicler of adolescence Judy Blume; and journalist, novelist and memoirist Joan Didion -- will make appearances in June to benefit?The Mark Twain House & Museum.


Clive Cussler
Thursday, June 14 at 7:30 pm
Mark Twain House & Museum

The grand master of adventure comes to the home of Mark Twain. New York Times bestselling author Clive Cussler?is the author or coauthor of more than?40 previous books, including 21 Dirk Pitt tales, eight NUMA Files adventures, eight Oregon Files books, the Isaac Bell historical thrillers, and the Fargo adventures. He is also the founder of the real NUMA, which, led by Cussler, searches for shipwrecks of historic significance.

Tickets are $45 ($40 for Mark Twain House & Museum members). A VIP ticket, which includes a reception with Clive Cussler at 6 pm, is $85. Call 860-280-3130.

Judy Blume
Thursday, June 21 at?7:30 pm
The Clemens Lecture
Lincoln Theater, University of Hartford, 200 Bloomfield Ave., West Hartford

One of the best-loved writers for children, young adults and grown-ups, Judy Blume has more than 80 million books in print including "Tales of a Fourth Grade Nothing," "Superfudge," "Blubber," "Otherwise Known as Sheila the Great," and "Are You There God? It's Me, Margaret."
Finding herself at the center of an organized book banning campaign in the 1980s, she began to reach out to writers, teachers and librarians who were under fire. Since then, she has worked with the National Coalition Against Censorship to protect the freedom to read.

Tickets: $25 and $40. A VIP ticket, which includes VIP seating and pre-event reception with Judy Blume, is $85. For tickets call 860-768-4228 or go to www.hartford.edu/hartt.>Joan Didion
Thursday, June 28 at?7 pm
Hartford Stage, 50 Church St.

The Friends of The Mark Twain House present An Evening with Joan Didion.?Journalist, novelist, screenwriter, essayist and memoirist Didion?won the National Book Award for her stark "The Year of Magical Thinking," a look at her grief in the year after the death of her husband, Hartford's own John Gregory Dunne.? She followed with?"Blue Nights" about her complicated relationship with her daughter, Quintana Roo.

Followed by a dessert reception and book signing.
Tickets are $40, $30 for Mark Twain House & Museum members and Hartford Stage subscribers. Call 860-527-5151, or go to
www.hartfordstage.org.

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US factory output rose in April on stronger autos

WASHINGTON (AP) ? U.S. factory output increased in April, helped by a gain in auto production. Busier factories have driven stronger hiring this year and helped the economy grow.

The Federal Reserve said Wednesday that factory production rose 0.6 percent in April, erasing a 0.5 percent decline in March.

Half of the April increase reflected a 3.9 percent jump in the production of motor vehicles and parts. That's the fifth consecutive gain at auto plants and the biggest rise since January.

Overall industrial production increased 1.1 percent in April. In addition to the big gain at factories, output at mines and utilities both showed strong gains.

Factory output has risen 18.3 percent since it hit a low in June 2009, the month the recession ended. Through the first three months of the year, it was growing at an annual rate of nearly 10 percent.

Paul Ashworth, an economist at Capital Economics, said the report is a good sign that "the U.S. economy, for now at least, is shrugging off the euro-zone crisis and the slowdown in China."

The 1.1 percent rise in overall industrial production was the largest one-month gain since December 2010. However, analysts said much of the increase reflected a 4.5 percent jump in utility production, which was influenced by mild weather earlier this year. The warmer winter had lowered March utility output. Heating demands returned to more normal levels in April, driving utility output higher.

The manufacturing gains were broad-based. In addition to increases in auto output, production rose at a wide range of companies, from makers of computers and electronics to aerospace and furniture factories.

Other data suggest factory output is strengthening.

The Institute for Supply Management, a trade group of purchasing managers, said manufacturing activity grew in April at the fastest pace in 10 months. New orders, production and a measure of hiring all rose.

And the Federal Reserve Bank of New York said manufacturing activity in that state jumped in May, reversing a large drop in April. Measures of new orders and employment rose.

Faster output at U.S. factories has been a key reason employers have added 1 million jobs in the past five months.

Manufacturing companies have added 167,000 jobs in that stretch. That's roughly 17 percent of the job gains, even though manufacturing represents less than 10 percent of the economy.

Factories are cranking out more goods because consumers are more confident in the economy and spending more.

Consumer spending grew at an annual rate of 2.9 percent in the first three months of the year, the fastest pace since late 2010. However, some of that strength was aided by a mild winter, which boosted sales in February and March.

In April, retail sales grew by just 0.1 percent. But sales of autos, furniture, electronics and appliances rose. All are big-ticket items made in factories that help drive growth.

The economy grew at an annual rate of 2.2 percent in the January-March quarter. That's slower than the 3 percent growth in the October-December quarter, but better than the 1.7 percent growth for all of last year.

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Kansas City Chiefs celebrate 50th anniversary at Union Station

Buy this image Kansas City Chiefs chairman & CEO Clark Hunt, left, with his wife Tavia Hunt, center, presented a team jersey to 50-year season ticket holder Woody Grutzmacher of Platte City, second from right, during a meeting by Hunt with the team's 50-year season ticket holders Tuesday afternoon at Union Station. The team is celebrating its 50-year anniversary since moving to Kansas City from Dallas as the Texans.

Buy this image Former Kansas City Chiefs quarterback Trent Green, center, spoke with Colin Lynch, left, and 50-year season ticket holder Robert Cody, right, during a meeting prior a press conference Tuesday afternoon at Union Station.

Buy this image The Kansas City Chiefs displayed a logo at a press conference on Tuesday afternoon at Union Station in honor of their 50th season playing football in Kansas City.

Buy this image Former Kansas City Chiefs quarterback Trent Green was the master of ceremonies at a press conference held by the team Tuesday afternoon at Union Station, announcing the team's celebration plans this season for their 50th season playing football in Kansas City.

Buy this image Kansas City Chiefs chairman & CEO Clark Hunt, left, presented a team jersey to former general manager Jack Steadman, right, during a press conference Tuesday afternoon at Union Station announcing the team's plans for celebrating their 50th season playing football in Kansas City.

Buy this image Kansas City Chiefs chairman & CEO Clark Hunt announced plans for celebrating the team's 50th season playing football in Kansas City during a press conference on Tuesday afternoon at Union Station.

Buy this image Carolyn Fox, left, greeted Kansas City Chiefs head coach Romeo Crennel, right, and Chiefs chairman & CEO Clark Hunt, center, during a meeting with the 50-year season ticket holders who were honored with a team jersey and a meeting with Chiefs officials Tuesday at Union Station.

Buy this image The 50-year Kansas City Chiefs season ticket holders were honored on stage at Union Station Tuesday afternoon during a press conference by the team announcing plans for celebrating their 50th season playing football in Kansas City.

Buy this image Kansas City Chiefs head coach Romeo Crennel and Chiefs chairman & CEO Clark Hunt, center, laughed as they spoke with Bill Story, right, one of the 50-year season ticket holders honored with a team jersey and a meeting with Chiefs officials Tuesday at Union Station.

Buy this image Kansas City Chiefs head coach Romeo Crennel spoke to the media following a press conference Tuesday afternoon at Union Station.

Buy this image Kansas City Chiefs general manager Scott Pioli spoke to the media following a press conference Tuesday afternoon at Union Station.

Buy this image Kansas City Chiefs head coach Romeo Crennel and Chiefs chairman & CEO Clark Hunt spoke during a meeting with the 50-year season ticket holders who were honored with a team jersey and a meeting with Chiefs officials Tuesday at Union Station.

Buy this image Kansas City Chiefs general manager Scott Pioli, left, head coach Romeo Crennel, center, and chairman & CEO Clark Hunt, right, posed for a photograph during a press conference Tuesday afternoon at Union Station.

Buy this image The Kansas City Chiefs displayed a logo at a press conference on Tuesday afternoon at Union Station in honor of their 50th season playing football in Kansas City.

Buy this image A group of 50-year season ticket holders, including Carolyn Fox (in hat) were honored by the Kansas City Chiefs during a press conference Tuesday afternoon, announcing the team's plans for celebrating their 50th season playing football in Kansas City.

Buy this image John Saper of Leawood, a 50-year season ticket holder with the Kansas City Chiefs, tried on his team jersey presented to him by the Chiefs during a meeting prior a press conference Tuesday afternoon at Union Station.

Buy this image A group of 50-year season ticket holders were honored Tuesday afternoon at Union Station during a press conference held by the Kansas City Chiefs to announce plans to celebrate their 50th season playing football in Kansas City this fall.

Buy this image Kansas City Chiefs chairman & CEO Clark Hunt and general manager Scott Pioli, left, were together for a press conference Tuesday announcing the team's plans for celebrating their 50th season in Kansas City this fall.

Buy this image Woody Grutzmacher of Platte City wore his team jersey presented to him by Chiefs president Clark Hunt, bearing a commemorative patch "STH" for "season ticket holder." Grutzmacher has has season tickets for each of the 50 years the Chiefs have been in Kansas City.

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The very best ghd australia Playstation 2 Auto Racing Recreation

This article has been viewed 14 times.

Sony?s Playstation 2 unquestionably has garnered plenty of focus throughout the media, but they have also carried out an incredible job with individuals who like to perform ghd hair straightener movie games. No matter if that you are enthusiastic about the sport of car racing or not, the reality stays that there is a lot of car racing activity for your Playstation and Playstation 2 which are great games just waiting for enthusiastic video-gamers to perform them. Probably the most popular video video game for the Playstation 2, though, that is also an automobile racing recreation, is known as Gran Turismo 4. Gran Turismo 4 virtually brings the complete automobile racing sport for you and it permits you to do so significantly that a lot of persons have decided this ought to be the quantity one particular activity on top rated of Playstation Two?s checklist. Here are some capabilities of the auto racing Gran Turismo 4 that you simply ought to look out for when you have however to perform the game:

Picture Mode

A single with the ideal points that numerous men and women appreciate about this car racing activity will be the fact that you?re permitted to get virtual snapshots of the automobile around the racetrack all through the sport. No matter if you have got crashed your vehicle or that you are ghd australia nearly to cross the end line, there are all sorts of achievable screenshots that you could just take a virtual image of. Due to the fact of this feature in this auto racing movie match, racers may also be able to create a slideshow in the photographs they took too. This great feature will allow you to ?remember? the knowledge provided that you?ve the sport in your possession, however it also allows other automobile racing video players to try and conquer out the competition?s slideshow with even better images.

Cars, Limitless

Even though there is a ghd flat iron limit towards the lots of cars that can be utilized all through the automobile racing Gran Turismo 4, you will find literally many hundreds of cars that will be chosen once they are unlocked. In truth, you will discover more than 700 automobiles that one particular is in a position to pick out for him or herself when taking part in the sport. All of those automobiles add for the car racing adrenaline that many people today feel when they?ve eluded a policeman or have just been beaten by their opponent. Moreover for the hundreds of automobiles which can be available throughout this well known car racing match, the online video game itself also retains track of one?s progress. For example, you?ll find dozens of racing tracks which will be played; with all the mixture in the track and the vehicles that are able to be unlocked there?s constantly a proportion within your corner that tells you just how much in the game that you have won and accomplished!

Graphics

Much like virtually ghd australia all of the relaxation in the games that can be played on Playstation 2, the graphics within this auto racing movie video game are virtually phenomenal. First of all, in the final lap of most of the auto races you are not able to ?recover? your automobile if you by some means crash into the wall. Even though this seems like it could be a great feeling for most automobile racing enthusiasts, the game and creators of Gran Turismo understood superior!

All things deemed, Gran Turismo 4 surely is the finest ghd hair straightener car racing movie sport to be put over the Playstation 2 market. With the graphics, vehicles, and photo mode, simply to title a number of with the thrilling features, Gran Turismo 4 rocks the entire online video video game planet!

Official ghd australia Online Store provides you all kinds of affordable ghd straighener. Order ghd straighener straight away with Quick Delivery service, Safeguarded Checkout & Fantastic Customer Support.

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